What Keeps Me Awake at Night

I may have time to get to the Girl Scout store to get the new troupe numbers and Girl Scout USA insignia.   I wonder if those jeans are worth patching?   Is this middle aged spread or have I been eating too many nuts?   Nuts are good, right?   229 days till summer. Still time to work toward that bikini   My feet don’t hurt that much.   You know, my shoulder feels exactly like it did during the racquetball days.   Damn mosquitoes.   I don’t need any more new clothes.   I should make some soup this week.   I loved Gina’s white t.shirt and long flowered jacket. She is so beautiful and neurotic.   I felt pretty at the party but no one mentioned it. Prettier than I’d felt in a long time. Are they just used to my prettiness or am I not pretty at all?   Do I have any underwear that he hasn’t seen?   We should be getting that call from the basketball coaches soon. I hope practice isn’t on girl scouts night.   Get to the bookstore.   If I don’t invite more than two people over at a time we can all drink wine out of wine glasses.   I hope they take those boots back.   Mosquitoes. Will they retreat as it gets colder?   What if I run out of money?   Chocolate bacon, who would have thunk it?   I can feel my hips.   My breasts are like puddles. Exactly like my mothers.   I think I said goodnight to him.   One day...

Poetry Saves the Day * Meet Alison Luterman

25 years ago I was introduced to a world of poets who would change everything I thought I knew about poetry – which wasn’t much. I didn’t have a traditional education – grew up in hippy alternative schools in Los Angeles – didn’t read the classics, not even in college.  The poetry I did see was way over my head though; oblique, impossible to understand. It made me feel stupid. The less I understood a poem, the more important it seemed to be. When I moved to Berkeley in 1982 I took a wonderful creative writing class from Cecile Moochneck, and I got turned on to poets like Sharon Olds, Marie Howe, Ellen Bass + Mary Oliver. That was just the beginning. Turns out there’s a whole world out there of amazing writers – narrative poets – story telling poets whose poems speak so clearly to the predicament of our lives; the way we mean to love and what we end up doing instead. Poems have become, for me, a way to embrace my life in all its complexity. They’re like tea leaves, or mantras, and they’re full of instruction. I love what my friend, the writer Deena Metzger said when she spoke of poetry as “beauty + ugliness side by side.” If you’ve been in my Wild Writing classes you know that I use poetry to jump start our writing because poets have an opportunity to say the most important things in just a few words. As writers, we can learn so much from this economy of language and what it means to choose a word and run with it. A poet whose work I’ve used a lot in class, and really respect is...

Messy, Gorgeous Process

What if I told you that it took me ten years to understand what I was teaching? It looked like I was teaching people how to write, but what I was actually doing, I realized late in the game, was teaching writers how to peel away the layers of their story and dig for something more true, more authentic and just plain honest. And while all that digging and examining is good for writing, it’s also excellent for living. When you chip  away at the façade of your story, and you lay down one true word, and then the next true word you will eventually become stripped down and naked to yourself. And when you see yourself like that, there’s no turning back. You may, as many of my students have done, begin the process of changing your life. I’m a process person. I’m all about getting words onto a page; messy, ugly, imperfect, glorious words. And to do that you need to become comfortable with being uncomfortable. For me, it’s not about what I’m writing or whether I like what I’m writing that’s important. That the pen inks like a river across the page, that I have the courage not to know what the next word is, or the word after that…that I keep going anyway. That’s the spirit, that’s what makes a sound turn into a song. I might only be able to hear bits at first – the merest sound of a refrain – but I’ll swirl it around in my mouth, taste it, roll it on my tongue and Wa La, I start singing. That’s...

One Stinky Breath at a Time

My adorable Chinese medical doctor, Scott Blossom, tells me that the lungs are connected to grief – which explains my love affair with cigarettes this past week. I wasn’t going to tell him I was smoking, and planned on not having a smoke until after our 5pm appointment was over so he wouldn’t smell it on me. That was some serious nail biting for someone who had lately been having her first cigarette before the milkman arrived. I know. It’s been a rough little spell. Between the overnight departure of the sexy cowboy, which left me in a crumbled little huddle, and an avalanche of deadlines which appeared out of nowhere – I found myself overwhelmed, distracted, incapable and exhausted. Cigarettes and their delicious nicotine rush were more rewarding than a hot bath, a glass of wine, even a good cry. I think it was the way Scott lifted up my limp little wrist to feel my pulse, the way his forgiving green eyes bore down on me – I couldn’t help myself and I blurted, “I’ve been smoking!” Then I burst into tears. At least Scott would know the truth about me and wouldn’t confuse me with those darling yoga girls who traipse through his office with their starry I’M CHANNELING BLISS eyes. I can be me; messy, goodhearted, clunky and sorely imperfect. Besides, I’m a terrible liar. “I can feel it in your pulses,” he smiled. “Your lungs are like…” and then he made this horrible sound like he was a small rat drowning in sewer sludge.  Three cheers for me for telling him the truth. “It’s...

Finding Me Some Outgoing Guts and Imagination

“Everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.” Sylvia Plath Wow. You go Sylvia Plath. And here I was all set to write a piece on how I was struggling to find an authentic voice in my blog. That might surprise people who know me. I teach folks how to find their authentic voice on paper – so if anyone should have one packed and ready to roll out for a weekly blog it would be me. Not so. When I’m with my Wild Writing students four days a week I write really honest, messy stories about my relationships, sexuality, addiction, aging, all the things I long for and struggle with. I show up naked and full of those unseemly thigh dimples. I think that’s why I have so many writers who come back and work with me year after year; I put myself on the line and model the kind of authentic writing that Wild Writing is all about. And when I forget how to do it, my students take the lead. Together we create a world where imagination and guts is golden, the thing we reach for. But the blog isn’t a room full of women who I’ve been writing with for months. I have no idea who is reading this, but moreover, I’ve been confused about what to share. My website and my more public persona is that of a writing teacher, but that’s just a slice of who I am. How do I find that middle...