A Calm, Open Walk Through a Dark & Tangled Mess

For the last couple of weeks I’ve been gearing up for Four Uninterrupted Days of Writing, the four-day workshop I’m running here at 27 Powers with the inimitable Jen Louden. 17 brave souls showed up here this morning and mostly what I’ve been thinking about for these last couple of weeks is how to serve them.   Of course Jen and I have writing lessons and hand-outs. We’ve got tips, tricks and tools, and even a get up and shake your booty sound track so the writers can get out of their heads and move a little blood. We’ll have coffee and snacks and a delicious catered lunch each day, as well as plenty of time for writers to write and read their work. And while all of that is real nice, the thing I’m really wanting to support them in is learning how to create a world inside of themselves, an internal landscape that calmly allows each of them to move through their writing when they’ve forgotten what the hell their stories were about and why they mattered in the first place.   If you’re like me, you’d kill for a Google map that tells you exactly how to get from the beginning of a story right on through to the end.  I’d cream for an app that instructed me to begin the story in the scene where my Mother realizes that I have a rat’s nest – an impossible tangle of knots — in the back of my hair, then the app tells me to veer left when she screams, “If you don’t get that rat’s nest...

True Stories Series: Meet Lisa Sadikman

“Writing is how I round out my world, it’s how I unstick myself from the mud and make it across the meadow.”  – Lisa Sadikman Readers, when I made a list of people I wanted to interview for this column, Lisa Sadikman quickly came to mind. She’s been a Wild Writing student of mine for years – a solid writer, and someone who has had to juggle the responsibilities of mothering three young girls, running a house and taking herself seriously as a writer. No small thing. Lisa is still at my Wild Writing table, but when she’s not here she’s scribbling notes for stories as she sits in carpool lanes, or in the wee hours before her kids get up for school. Her personal essays on parenting can be found on her blog, in the Huffington Post and many other magazines. (SEE below for links) If I admire anything, it’s someone who’s willing to sit there in the midst of her mental gunk, her exhaustion, her excuses and fears and lay some ink down on the page. Lisa does this and I’m happy to share her with you today.     Lisa, I’ve been working with you for a bunch of years now and I’ve seen you go from someone who mostly wrote once a week in class — someone who knew she had more to say, but didn’t know exactly what that was — to someone who keeps a writing schedule, blogs each week and publishes regularly for the Huffington Post. I know a lot of writers who’d like to make that kind of journey with their work and I thought hearing from you would...

The Creamy Kung Foo of Writing True Stories

Writing about your real life is a tricky dance. Your life is your petri dish. You examine the things that happen, you make notes, you pay attention to small details and you consider whether you can unpack them to reveal something larger, something like a story. Moments become metaphors, lessons, things you want to understand better and share.   If you’re good at it, you’re able to take these small moments of your life and crack them open to reveal the creamy center, the universal kung foo, the place where my story becomes your story, becomes a blessing or a teaching for us all.   I believe we’re all made of the same stuff. We have different experiences and we have our opinions and different ways we stand in our stories, but we all understand what it is to long for something – love or connection. We all know what it feels like to feel small and overlooked, unseen and unimportant. We know exhaustion and defeat. We all know envy and what it is to have dirty thoughts about people we love. We know joy too – the feeling of riding a lucky wave – or just being suddenly happy for no reason except that the song on the radio has just changed your world.   And that’s where telling true stories and using authentic, down to the studs language in your writing is really helpful. When you lay it on the line and don’t try to hide or be too clever, people can connect with you, and then they can connect with themselves. And that’s part of the...

Poetry Saves the Day * Meet Alison Luterman

25 years ago I was introduced to a world of poets who would change everything I thought I knew about poetry – which wasn’t much. I didn’t have a traditional education – grew up in hippy alternative schools in Los Angeles – didn’t read the classics, not even in college.  The poetry I did see was way over my head though; oblique, impossible to understand. It made me feel stupid. The less I understood a poem, the more important it seemed to be. When I moved to Berkeley in 1982 I took a wonderful creative writing class from Cecile Moochneck, and I got turned on to poets like Sharon Olds, Marie Howe, Ellen Bass + Mary Oliver. That was just the beginning. Turns out there’s a whole world out there of amazing writers – narrative poets – story telling poets whose poems speak so clearly to the predicament of our lives; the way we mean to love and what we end up doing instead. Poems have become, for me, a way to embrace my life in all its complexity. They’re like tea leaves, or mantras, and they’re full of instruction. I love what my friend, the writer Deena Metzger said when she spoke of poetry as “beauty + ugliness side by side.” If you’ve been in my Wild Writing classes you know that I use poetry to jump start our writing because poets have an opportunity to say the most important things in just a few words. As writers, we can learn so much from this economy of language and what it means to choose a word and run with it. A poet whose work I’ve used a lot in class, and really respect is...

The Challenge of Writing True Stories

When my friend + long time student, Lisa Sadikman asked me if I wanted to participate in a blog hop where writers get a chance to write about their writing process I said sure, then immediately regretted it because I had just promised myself that I wouldn’t say yes to anything more until I’d completed the pile of projects on my desk. But if I’m anything, I’m a girl who stands by her commitments — which isn’t always smart, but in terms of commitments, writing is probably the best thing you could say yes to because everyone knows that those deadlines are everything to getting ink onto the page. So thank you Lisa.  Below are my answers to the four questions traveling from blog to blog. Next week, two wonderful friends of mine and writers — Sherry Richert Belul and Jill Salahub will share their thoughts on writing via their blogs. What am I working on/writing? Most of my writing these days happens in the Wild Writing classes I teach each week here in the Bay Area. For two hours, five mornings a week, I have the pleasure of sitting around a table with 8 other women writing really quickly and really badly. That’s one of the tenants of the class — to write as poorly as possible. It’s not a joke — it’s a totally freeing way of getting past our ingrained attempts at looking good, smart and clever — which is pretty much what we’re trying to do most of the time — on the page and off. It’s unconscious, a throw-back from the days when it was dance or...