The Challenge of Writing True Stories

When my friend + long time student, Lisa Sadikman asked me if I wanted to participate in a blog hop where writers get a chance to write about their writing process I said sure, then immediately regretted it because I had just promised myself that I wouldn’t say yes to anything more until I’d completed the pile of projects on my desk. But if I’m anything, I’m a girl who stands by her commitments — which isn’t always smart, but in terms of commitments, writing is probably the best thing you could say yes to because everyone knows that those deadlines are everything to getting ink onto the page. So thank you Lisa.  Below are my answers to the four questions traveling from blog to blog. Next week, two wonderful friends of mine and writers — Sherry Richert Belul and Jill Salahub will share their thoughts on writing via their blogs. What am I working on/writing? Most of my writing these days happens in the Wild Writing classes I teach each week here in the Bay Area. For two hours, five mornings a week, I have the pleasure of sitting around a table with 8 other women writing really quickly and really badly. That’s one of the tenants of the class — to write as poorly as possible. It’s not a joke — it’s a totally freeing way of getting past our ingrained attempts at looking good, smart and clever — which is pretty much what we’re trying to do most of the time — on the page and off. It’s unconscious, a throw-back from the days when it was dance or...

The Trouble with Words

A writer friend and I were walking recently and discussing the challenge of writing about deeply personal experiences. We agreed that writing about the important events or people in our lives was a way to unpack and understand them better. That was good. On the other hand, maybe certain things shouldn’t be written about because bringing them out into the light of day might take them from the sacred to the mundane, and even cheapen them to some degree. We’d have to rely on words and sentences, and perhaps we’d be misunderstood or the depth of our feelings wouldn’t be conveyed. As writers we weren’t sure how to approach this, how to use writing to crack open our lives so that we might investigate and share them, but not deaden them or turn them into sound bites. It reminded me how careful I’d been when my husband and I decided to split up after 26 years, about the language I chose to talk and write about it with. Before I even started telling people, I realized that the words I chose to tell the story with would get replicated and used again and again, by me. Words would be strung together to become sentences, and sentences would be strung together to become the story. And then the story would be “the way it was,” which would only be a slice of what was actually true. I wanted to be mindful of that. I wanted to remember that 26 years with another person couldn’t and shouldn’t be reduced to a short, pithy paragraph, an explanation. But then, we’re writers, so we...

Tell the Truth As You Understand It

“If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.” – Anne Lamott     Goodness, here I sit on a Monday night with a Tuesday morning deadline to write a blog post. There are a number of other things I could be doing, like watching the latest episode of Downtown Abby and finding out, good god, if Edith’s boyfriend, the father of her unborn baby, miraculously returns, saving Edith’s reputation and bringing her the happiness we know she deserves.  Seriously, I’ve tried to write this blog post a few times, even looking back into recent Wild Writing journals to see what I could get away with. Nothing. I’m feeling pressed to do something and I’m feeling empty of anything pithy, funny, smart or admirable. Sitting here trying to rouse the troop of my words, I get this quote sent to me from my friend Marci Hannewald and I realize the jig is up.   Forget about writing something funny. Something that bathes you in the best light. Forget about writing something important or sage and that will inspire people to want to work with you or know you. Just write about what’s true. “Write straight into the emotional center of things. Write toward vulnerability....

Telling True Stories

One of the best things about staying with your work for a very long time is that you have a chance to understand, year after year, what exactly you’re doing. Not even because you’re trying to do it better, but because each year your work reveals itself even more to you, and you can deepen your understanding as to what it is about your work that you really care about.   I knew I was teaching people something about writing for the last 14 years, but each year was an opportunity for me to peel away a little more the layers and get to the center of that work. Yes I could help people get published and find homes for their books and stories. Yes I wanted to help them tell their stories in engaging ways, but the more I worked with people, the more I understood that what I really cared about – more than whether someone published – was to inspire and to be among people who were striving to find the most honest language to tell their stories with.   My aim is to help people find the words that open like doors and which invite both the reader and writer into deeper understanding of what it means to be alive.   What I look for in a story is a chance to learn something – – not even a lesson per se, but perhaps some instruction on how to behave in the world. I remember seeing Ira Glass from the radio program, This American Life, on stage in S.F. many years ago and he told...

The Gift of Sadness

If you’re a parent, you know how painful it is when your child is sad. What’s the saying? You’re only as happy as your most unhappy child. So when my daughter came home from the first few weeks of the 10th grade this year in tears because she didn’t connect with any of the kids – kids she’d known for her whole life – I felt terrible for her. Day after day I’d pick her up with an upbeat, “how’d it go today?” hoping her mood was like weather and would pass. She’d toss her heavy backpack into the car, slump into the front seat, eyes looking straight ahead and say, “I hate it.” Last year she’d had lots of friends – she’d always had friends; she is a super friendly, easy going girl. But things were different now, plus there’d been so many changes in the last year; her father and I separated, her big sister – who was her best friend – went to college – her boyfriend had graduated and was off to school far away. She’d also had an amazing summer making a lot of new friends – mostly older than her – as a counselor at an outdoors camp. But when she got back to school she was a different person. The school was fine, but she couldn’t connect to any of her old friends. When school started she said, “Mom, I ask myself this question all the time, ‘Who am I?’  I don’t have an answer for that, and that makes me really uncomfortable.” The kid is an old soul; deep, thoughtful. Yes...