True Stories Series: Meet Lisa Sadikman

“Writing is how I round out my world, it’s how I unstick myself from the mud and make it across the meadow.”  – Lisa Sadikman Readers, when I made a list of people I wanted to interview for this column, Lisa Sadikman quickly came to mind. She’s been a Wild Writing student of mine for years – a solid writer, and someone who has had to juggle the responsibilities of mothering three young girls, running a house and taking herself seriously as a writer. No small thing. Lisa is still at my Wild Writing table, but when she’s not here she’s scribbling notes for stories as she sits in carpool lanes, or in the wee hours before her kids get up for school. Her personal essays on parenting can be found on her blog, in the Huffington Post and many other magazines. (SEE below for links) If I admire anything, it’s someone who’s willing to sit there in the midst of her mental gunk, her exhaustion, her excuses and fears and lay some ink down on the page. Lisa does this and I’m happy to share her with you today.     Lisa, I’ve been working with you for a bunch of years now and I’ve seen you go from someone who mostly wrote once a week in class — someone who knew she had more to say, but didn’t know exactly what that was — to someone who keeps a writing schedule, blogs each week and publishes regularly for the Huffington Post. I know a lot of writers who’d like to make that kind of journey with their work and I thought hearing from you would...

Keep Coming Back

And so, after a couple of fairly unproductive days of writing – or – not writing – as the case was – days where I’d meant well, had made a little nest on the couch, surrounding myself with not only a pile of bills, but a list of writing assignments and essays I’d started, but which were going nowhere. After all that, I found myself jogging in my town with a little group of work out buddies from my gym.   Most of us aren’t real runners, we just take orders from this horribly fit man named Nate who has no fat on his body, and who we pay to push us around. Yesterday he told us to run five times around a hot, city block, lift heavy weights – sometimes running with those weights – do planks, crunches and an assortment of other horrible things – all of it culminating in something called a burpy, where you throw yourself onto the ground, do a push up and then jump – no – leap into the air and clap your hands like you’re simply delighted, when in fact, you really just want to throw up. We did this like 25 times.   So there I was running and feeling sorry for myself because I’m certain I’m not built to run, and my middle aged legs feel heavy, and I’m huffing and puffing and tears are leaking out of my eyes, and I’m hoping that all this hard work will pay off so I can fit into these dresses which I want to wear for these upcoming weddings. And then...

Poetry Saves the Day * Meet Alison Luterman

25 years ago I was introduced to a world of poets who would change everything I thought I knew about poetry – which wasn’t much. I didn’t have a traditional education – grew up in hippy alternative schools in Los Angeles – didn’t read the classics, not even in college.  The poetry I did see was way over my head though; oblique, impossible to understand. It made me feel stupid. The less I understood a poem, the more important it seemed to be. When I moved to Berkeley in 1982 I took a wonderful creative writing class from Cecile Moochneck, and I got turned on to poets like Sharon Olds, Marie Howe, Ellen Bass + Mary Oliver. That was just the beginning. Turns out there’s a whole world out there of amazing writers – narrative poets – story telling poets whose poems speak so clearly to the predicament of our lives; the way we mean to love and what we end up doing instead. Poems have become, for me, a way to embrace my life in all its complexity. They’re like tea leaves, or mantras, and they’re full of instruction. I love what my friend, the writer Deena Metzger said when she spoke of poetry as “beauty + ugliness side by side.” If you’ve been in my Wild Writing classes you know that I use poetry to jump start our writing because poets have an opportunity to say the most important things in just a few words. As writers, we can learn so much from this economy of language and what it means to choose a word and run with it. A poet whose work I’ve used a lot in class, and really respect is...

Keep Coming Back

The truth about being a writing teacher is that everything you teach to others is often a lesson that you have to keep learning for yourself, over and over. So it will come as no surprise when I tell you that it truly is a challenge for me to sit my fanny down and write. And which is why I find myself so hungry as I begin this blog post. Not just hungry for good words, but hungry for sweet things, salty things, things with caffeine. I’m also suddenly very interested in the laundry, determined to make my bed, sweep the back deck, tidy up the branches felled by the windstorm last week. I’m certain it’s the perfect time to make the matzo ball soup I promised Zoe for dinner tonight. And while I’m at it, I better get a move on those Christmas gifts even though the great godly holiday is over a week away! In fact, I would be happy to do practically anything other than sit down to write. In my 20’s, when I was just starting out as a journalist for the East Bay Express in Berkeley, I found that if I had a glass of wine, no, two glasses of wine, writing came easy. Not only that, I was funny! Inspired! Smart! The words flew through me and out onto the page like magic. Then, as I got more assignments, I realized that I couldn’t catch a buzz every time I sat down to write, not if I wanted to make a life of this. So I had to learn to write sober and...

Messy, Gorgeous Process

What if I told you that it took me ten years to understand what I was teaching? It looked like I was teaching people how to write, but what I was actually doing, I realized late in the game, was teaching writers how to peel away the layers of their story and dig for something more true, more authentic and just plain honest. And while all that digging and examining is good for writing, it’s also excellent for living. When you chip  away at the façade of your story, and you lay down one true word, and then the next true word you will eventually become stripped down and naked to yourself. And when you see yourself like that, there’s no turning back. You may, as many of my students have done, begin the process of changing your life. I’m a process person. I’m all about getting words onto a page; messy, ugly, imperfect, glorious words. And to do that you need to become comfortable with being uncomfortable. For me, it’s not about what I’m writing or whether I like what I’m writing that’s important. That the pen inks like a river across the page, that I have the courage not to know what the next word is, or the word after that…that I keep going anyway. That’s the spirit, that’s what makes a sound turn into a song. I might only be able to hear bits at first – the merest sound of a refrain – but I’ll swirl it around in my mouth, taste it, roll it on my tongue and Wa La, I start singing. That’s...